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when it happens to you

by a question of when

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1.
The Valley of The Dead < t/w: substance use > i cry out from the mountaintop i crawl down and i don't look up every single thing that i could want or desire is in the trees, in front of my eyes nothing even makes the slightest radar blip; i'm hanging on for dear life. i walk onto a southern train i hope off when i can't hear the rain i search for the land of the living through the valley of the dead i search for the land of the living and a different kind of death the courage of fear takes me down here i wake up with the western sun i rise up and i tumble down lyin' in the desert, where there's nowhere to hide from anyone except myself vultures take a dive and they pluck out my eyes -- now every sight is crystal clear i search for the land of the living through the valley of the dead i search for the land of the living won't you take me? won't you take me? i search for the land of the living i must first carve my own path my search for the land of the living left me one foot in the grave the courage of fear (take it, take it, take it, take it, take it) takes me down here (take it, take it, take it, take it, take it) the courage of fear (take it, take it, take it, take it, take it) takes me down here (take it, take it, take it, take it, take it) return from the land of the living where i faced me. where i faced me return from the land of the living and the loss was stood to gain i searched for the land of the living and i found we're much the same i reach for the hand of the giving now in every waking day take me, take me, take me, take me, take me take me, take me, take me, take me, take me, take me take me, take me, take me, take me, take me take me, take me, take me, take me, take me, take me, take me, take me, take me, take me, take me, take me, take me the courage of fear it takes me up there the courage of fear it takes me up it takes me up it takes me up it takes me up... there
2.
La Violencia 07:31
La Violencia < t/w: violence, family violence, domestic distress > if they can listen without being silent then here's a silent recital of every voice i've ever heard of your last will and testament or a testament to the limits of my free will will my actions govern my mistakes or will i rise above the ashes of your fascism? it's like watching heaven's benevolence revel in irrelevance because roses are red, and violence is too if i forgive the sins of the father will they live on through me? it's my inheritance at night, when it's dark, my eyelids, my eyelids, they become my armour -- my dark knights in shining armour, they, they keep the boogie monsters out the streets are safer than the home i left this dirt's become my skin now i've got myself to live with now and that there is worse than anything that you could do to me, to me, to me now i'm not that person anymore but i see you deep in everyone away, away i'm runnin' but i'm only going over, over, and over away is over, over, over, and over take your fear, take it out, take it out on your child out on me, out on me, out on me to hurt yourself they can pull me from blood river demons be delivered who's there throwin' me in her? they'll be savin' me forever from generations... i'm a time bomb, baby... the boy who cried wolf just died the silent masses didn't wanna listen i always knew they were anagrams for a reason: listen | silent | listen | silent | listen ...now silence is the loudest sound now go to the mirror: remove your head that's where i stood when i lost mine... don't stop. give in a fist will bleed, a word will sting imagination is a thing of power. great power silence started yelling, screaming the mind is such a terrible thing to doubt... it's calling! i can't help this.... i'm so helpless.... i can't help this.... i'm so helpless.... help me.... please help me... please help me! if i forgive the sins of the father will they live on through me? i'm in my jammies the hallway shakes and creaks; he's getting closer to me... (dad): "left! right! left right left! left, right, left right left!" (demon): what was that noise? (child): it was just the house 'settling'... (demon): f*$k off, no it wasn't!... who the f*&k said you could come in here?!?!?!" have you ever heard of knocking, blast radius, or lights out, soldier? (demon and child merging): don’t touch me... don’t touch me – don’t touch me don’t TOUCH ME DON’T TOUCH ME DON’T TOUCH ME!!!!!!!! (demon and child as one): ha! ya like the pollock i made outta his f*%kin' brains on the wall?!?! I told 'im not to f*&in' touch me!!! EVER!!! eeny meeny, miny moe... catch a tigger by the toe... if he hollers, let him go... eeny, meeny, miny moe. WE ALL FALL DOWN!!! WE ALL FALL DOOOWWNNN!!!!!! if i forgive the sins of the father will they live on through me? if i begin the end of violence the river's blood will run clean eeny meeny, miny moe... catch a tigger by the toe... if he hollers, let him go... eeny, meeny, miny moe.
3.
faultlines 07:16
faultlines (oneword) < t/w: political violence > i.... i know that they can see right through my vacancy; hostile inaction make... my allies enemies divide and conquer me; progressive factions it's my fault. my fault, my fault, my fault. faultlines. faultlines. faultlines. faultlines. fault... lines... you're my phantom enemy i've never loved someone i hate so dearly the tinnitus of my inner jury it's your fault. it's all your fault. it's your fault. your fault. faultlines. faultlines. faultlines. faultlines faultlines. faultlines. faultlines. faultlines fault... lines... we must shine the brightest light upon the darkest heart or our true colours will never fade get out of your own way it's not my fault. it's not your fault. it's not our fault. it's nobody's fault faultlines. faultlines. faultlines. faultlines faultlines. faultlines. faultlines. faultlines fault... lines...
4.
An Elegy of Sorts (Written From a Porch) < t/w: suicide, distress, grief > if i could do one thing over i don't know what i'd choose... maybe move to Chicago when i left my mother's womb if i could see something from my porch rocking chair point-point-point-point-of-view; it's hazy when the fog clears from my drugstore spectacles promises that were never broken, they broke me in two pride was just the tool, the mask, the barrier to truth, the burial of youth if i could hold one breath it would be the one just before your exit without expression or second-guesses and everyone cared just a little but no one cared just quite enough they all got their reasons you can never leave what you never, ever, ever, ever, ever left behind if i could leave one thing as is it would be that moment with you but just like a breath, it's not the safest thing to hold onto if i could say something from your postscript point-of-view i'd ask me where you really were when i really needed you the clock's hands are clapping as though they are laughing down on me it was always your anger never my constant state of fear we stand by your graveside but it's the loss of the living that we grieve i'll spread my own ashes and dance as they scatter in the breeze it's the memory of you that i hold dear and true but it's more that you died than my love for you some words that are never spoken they sound better said sometimes it's just letting go of that long he-he-he-held breath one thing (if i could do)... one thing (if i could do)... one thing (if i could do)... one thing (if i could do)... just one thing, just one thing just one thing just one one one one one one one one one one one thing
5.
(the permanence of impermanence) < t/w: grief and loss > there was once a sun who loved a moon every day and night, one died to let the other rise and shine the clouds would always say, "there's plenty of room." and the sky keeps crying, so the seasons can bloom stars are lights: they shine before they shoot nothing ever dies, it's just subsumed everything will pause and then resume

about

< a question of when > it happens to you >

whowhatwhenwherewhyhowwtfareyousure >> this is not an e.p.

we would like to start by honouring the unceded land of the Coast Salish peoples that we are on, which has been the site of human activity since time immemorial. “unceded” means never surrendered, relinquished, or handed over in any way. most of british columbia remains unceded sovereign Indigenous lands, over which neither the canadian or british columbian governments have the legal or moral authority to govern.

this land includes the territories of the Musqueam; Skwxwú7mesh; Tsleil-Waututh; Kwikwetlem; Kwantlen; Katzie, Qayqayt; Semiahmoo; and Tsawwassen First Nations.

there are eight constitutionally entrenched modern treaties in british columbia, including the Nisga’a. 65 self-identifying First Nations, representing 109 current and former indian act bands, are participating in, or have completed the treaty negotiations process.

we are all Treaty People. many of us have come here as settlers, immigrants, and newcomers, in this generation or generations past. it is our responsibility to continue learning how to honour and support the varied strategies that Indigenous peoples are using to protect their land and communities. we commit to dedicating time and resources to working in solidarity.

we are mindful of broken covenants and strive to make this right in all our relations, with the land, and with one another. we recognize that the voices of all people have not always been acknowledged. it is our chosen duty to provide these voices with a brave space to be heard.

we would also like to acknowledge those of us who came here forcibly, particularly as part of the trans-atlantic slave trade. therefore, we honour and pay tribute to ancestors of African origin and descent.

let this Land Acknowledgement serve as a recognition of the thousands of lives that continue to be uncovered at 139 residential schools across canada – which continue to be excavated, the last of which closed in 1996. this is not “history.” we are living with, and, in many instances, benefitting from, the consequences and exploitations of these institutions. we ask now, in honour of those lives lost, and the responsibilities we all have towards truth and reconciliation, that we hold a moment of silence.

credits

released December 8, 2023

produced by a question of when + ian smith
engineered + mixed + tape operated by emma whale
assisted by tristan miller at catherine north, Chonnonton
engineered by ryan valentine at whitehouse, Anishinabewaki
mastered by mariana hutten at lacquer channel, Tkaronto
faultlines speech inspired by angela y. davis
artwork + layout by clarence king
background text from on property by rinaldo walcott

words + music by a question of when copyright © 2023 socan/ascap

we would like to acknowledge funding support from the ontario arts council, an agency of the government of ontario

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a question of when Toronto, Ontario

when it happens to you... now

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